To date, LED lighting has not been and still is not widely used in film shoots. This is partly due to clinging to what people are used to and not (wanting to) switch quickly to new possibilities, and partly due to previous negative experiences with LED lighting. Earlier generations of LEDs were not of very good quality, had a low output, and often had an ugly, usually green color cast. However, there is now LED light of such high quality that it can be used excellently and responsibly for lighting in film productions. Additional benefits include low power consumption, allowing for easy operation with batteries on location without nearby power, the fact that the LED panels do not overheat, and that they recharge quickly. can be packed. This naturally also aligns perfectly with working as "green" as possible. See also greenfilmmaking.nl DJ Electronics supplies LED panels that are specially manufactured with the best LEDs and meet the highest standards. Natural colors, high CRI, high light output. These LED panels are already widely used at Eyeworks, Dutchview, TEAM ENG, and United, among others, to name just a few of the most well-known manufacturers and facility companies. As a result of testing many LED panels, this new generation of LED panels came out as the absolute best. Recently, film shooting were even made with these LED panels using 4K cameras, with perfect results! Are there plans and/or preparations for a feature film or other productions? Please feel free to contact us for more information and possibilities.

This lens has hardly been used due to the purchase of a zoom lens and the rise of the digital camera. The lens is super multi-coated and has serial number 8153959.

The Heinz Kilfitt Münchem Tele Kilar 1:5.6 300mm lens, no. 208-5029, was used by me for documentary films on an Arriflex camera and has been used sparingly, as you don't mount a 300mm lens on a camera very often. The lens has a screw thread and an adapter to the Arriflex mount is included. The aperture ranges from 5.6 to 32 and the focusing from 3 meters to infinity. The lens is in good condition.

Beautiful film location with a rustic outdoor kitchen, swimming pool, large garden room with piano, and large garden. Truly unique. See photos.

Workshop 'Making a Documentary' by Marijn Poels Date: Saturday, June 14, 10:00 AM - 4:30 PM. Location: Kloosterweg 1, Heerlen. Price: €69 (Cinesud members), €55 (student), €105 (non-members). Minimum 8, maximum 20 participants. Limited spaces available! Documentary Documentaries are often viewed as a literal representation of reality, as if the maker is merely recording. However, making a documentary requires much more creativity, activity, and perseverance, even though seemingly not much else is happening. In this one-day workshop, you will learn what goes into making a documentary film and practice skills that will help you realize your documentary plan (as powerfully as possible). How do you get from your idea to the shooting period? What is involved in planning, directing, and shooting your documentary? How do you build a bond of trust with your main character(s)? How do you handle footage and (added) sound during editing? The workshop also incorporates several practical assignments, requiring you as a participant to work on a case study or problem yourself. You will also head out with a camera! Marijn Poels Marijn Poels (Meerlo, 1975) is an independent filmmaker and documentary maker. He makes documentaries all over the world and often acts as a guest speaker or lecturer at international festivals and educational institutions. Marijn focuses primarily on documentaries concerning socially relevant issues. He has received numerous international awards, including the Dodie Spittal Award and The Voice of Peace. Some of his documentaries are The Voice of 650 Million times one, Retour, and the series L1mburg Helpt. There is room for a maximum of 20 participants, so be quick! You can register via the button above; for questions or other comments, please feel free to contact [email protected] at any time.

Professional editing kit from June 2010 with Final Cut Pro 7 (Final Cut Studio). License included in the package. The editing suite has hardly been used, only to produce 4 programs for TV. All the equipment is still in very good condition. The editing suite is being sold due to company restructuring. Below is a list with descriptions of everything offered for sale. - Apple Mac Pro Dual Quad Core Intel Xeon 2.66 GHz, 6GB RAM, NVIDA GE, Force GT 120 - Logic QWERTY FCP7 keyboard - Apple Final Cut Studio 3 - AJA KONA LHI HD/SD 10-bit digital PCIe card, HDMI I/O - 2 pieces Fostex 8301B powered personal monitor -XLR in - 2 pieces Samsung LS24HUBCBQ 24' LCD Display DVI/VGA sync Master 2443 - PGEP power strip 9 x 230V 1.5m cable - Sony LMD-2030W 20' LCD monitor 1680/1050- HD via HDMI/YUV - AJA HD/SD-SDI to HDMI video and audio converter with DWP - Sony XD-cam U1 readers Asking price € 4,950.00 excl. VAT

From Friday, May 30 to Sunday, June 1, 2014, the Ambacht in Beeld film festival will be held at the Dansmakers aan 't IJ theater, in the Kromhouthal in Amsterdam. 'Ambacht in Beeld' is a documentary film festival about craftsmanship in the broadest sense of the word. Various films will premiere, and international directors will be present for Q&As and lectures. There are also masterclasses and demonstrations by artisans for young and old. On display are, among others, Men of the Cloth about Italian master tailors, Craft about independent breweries, Still Life: Ron Mueck at Work about the Australian artist Ron Mueck, Maker about the Maker Movement, Spark: A Burning Man Story about the Burning Man festival, Sign Painters about American sign painters, and Indie Game: The Movie about indie game designers. See www.ambachtinbeeldfestival.nl for the full program!

Moroccan Gives Driving Lessons continues unchecked with second season The Netherlands' favorite driving instructor Mo' is back with a second season of *Marokkaan Geeft Rijles*, which premiered on Thursday evening, May 22, at Het Ketelhuis. The first season by the Netherlands' own Sacha Baron Cohen, Mert Ugurdiken, was already an unprecedented success with over 700,000 viewers per episode and more than eight million viewers in total, but with a new production team and new storylines, season two promises to be an even bigger party. With his lighthouse-red car, pimped out with rust spots and dents, Mo' helps novice drivers gain more experience behind the wheel. As a mentor and coach, we see during the episodes how this friendly Moroccan positively encourages his students to get the best out of themselves. 'If you kill me, I'll kill you.' He not only teaches them standard driving skills—'press first gear, put it in start'—but he also goes out of his way to teach them the things that really matter once they receive their driver's license. For instance, he takes a student through the Noodle Drive and teaches another how best to wash his car. In season two, he takes it a step further by teaching his student Javi how to win over the hot chicks. He also manages to scam his student out of a flashy Mercedes with his friend Appie. 'The reactions to Marokkaan Geeft Rijles season one were amazing, truly awesome. It made me really happy,' says Mert Ugurdiken. 'Because of this, I wanted to take the concept to the next level, and I succeeded with an entirely new, friendly team.' For the second season of *Marokkaan Geeft Rijles*, Mertabi Productions, biko, Ism NewBeTV, and director Ivan Lopez Nunez (Max & Billy's Drill Machine Girl) have joined forces. The aim is to create the funniest and most-watched web series in the Netherlands. With over 150,000 subscribers and 20 million viewers, they are already well on their way. The first episode of the new season of Marokkaan Geeft Rijles is now available to watch on Mert's YouTube channel: https://www.youtube.com/Mertabi (Source: NewBe TV)