Dear reader, Here is my new showreel of assignments from early 2014. http://www.youtube.com/watch?v=tHjMoVbnAp4 CV • en.linkedin.com/pub/robin-busscher/53/b20/613/ Should you have a suitable (challenging) presentation or reporting assignment, please contact the management contact person: Jilbert Kromopawiro. You can reach him via: [email protected] Robin can also be hired as an (ENG) cameraman. He has experience in live recording and news items. The following footage was broadcast on TV in Full HD. Example 1. http://www.youtube.com/watch?v=C69hsYxQaQY Example 2. http://www.youtube.com/watch?v=-JhQTNqOpsg In addition to camera work, Robin can also be hired as a reporter. He is registered with the NVJ and is affiliated with a press agency. You can hire him on a freelance or contract basis. National television example: http://www.youtube.com/watch?v=-JhQTNqOpsg Hope to see you soon! Procasters Agency and in-house productions

Hello, I am Lieke, and I am 22 years old. I offer myself for: - extra supporting role - actress - model - audience I really enjoy doing and experiencing all of it. Send me an email if you have a fun assignment! Take a look at my site as well! Greeting, Lieke Goldsmith

The successful family film *Midden in de Winternacht* by director Lourens Blok is heading to the Berlin International Film Festival in February and has thus been selected for the youth program Generation K-plus. With this selection for the youth program, *Midden in de Winternacht* stands a chance of winning the Crystal Bear, the award for the best international youth feature film. This award was previously given to *Kauwboy* (2012). Additionally, the film is also nominated for the 'Grand Prix of the Deutsches Kinderhilfswerk' for Best Picture. *Midden in de Winternacht*, already seen by more than 200,000 viewers, is still showing in cinemas. Midden in de Winternacht was produced by Lemming Film in co-production with Svensk Filmindustri, Davaj Film, and Anchorage Entertainment. The film was made with support from the Netherlands Film Fund, The Swedish Film Institute, Filmpool Nord, MEDIA, and the Tax Shelter measure of the Belgian Federal Government. About the film A week before Christmas, ten-year-old Max (Dennis Reinsma) discovers that a moose has fallen through the barn roof. It is not just any moose. It is Moos (voiced by Jeroen van Koningsbrugge), who not only can talk but also works for Santa Claus (Derek de Lint) as a test pilot, before the reindeer do the real work. During the sleigh test flight, everything went terribly wrong, causing him to lose Santa. Moos will have to find Santa very quickly, because without Santa, no one gets presents. Max & Moos receive help in their search from their little sister Kiki (Dana Goldberg), but are also thwarted by the mean neighbor Panneman (Arjan Ederveen). Will they manage to find Santa?

Dear interested party, Infilmer Productions is a young multimedia company with a focus on film. We are currently looking for interesting projects to diversify our portfolio. For this reason, we are also willing to discuss financial matters. Take advantage of this! View our previous work on our website. Do you have something interesting that really needs to be filmed? Then just get in touch. [email protected] +31630365636 "We custom craft your media"

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'A Universal Bird' is a documentary about the Dutch jazz musician and composer Theo Loevendie. A film by Oogland Film Productions, by Marieke Rodenburg and John Albert Jansen. Would you like to support this project via Cinecrowd? Or would you like to see the teaser, the recommendation from Kees van Kooten, or more information? look at: http://www.cinecrowd.nl/een-universele-vogel-theo-loevendie In October 2014, a boyhood dream of Loevendie's came true. Commissioned by the NTR Zaterdag Matinee, he worked on an opera about the philosopher Spinoza, which premiered at the Concertgebouw in the autumn of 2014. To Loevendie, Spinoza is first and foremost an Amsterdammer, just like him. As a teenager, Loevendie read Spinoza's work; although he didn't understand everything, 'it aligned perfectly with his own ideas on, among other things, freedom of speech'. We follow Loevendie during the creation process of the opera about Spinoza. There are scenes in his study, but we also accompany him on walks through Amsterdam, thus gaining a great deal of insight into his way of seeing and, above all, listening to the sounds of the city. Three times a day, he crosses Johannes Verhulststraat from his home to Café Welling, where he also performs regularly. We are at chance encounters with musicians, writers, and artists, where we look back with them on his rich life, in which post-war Dutch musical life is reflected. The process of writing the opera will run through it like a common thread. Theo Loevendie is not only a versatile artist whose life indeed spans half a century of Dutch music history, but he is also a particularly engaging and infectious person. It is actually surprising that there is no film yet about his life and artistry.