Judith Mulder

CinemaAsia Film Festival 4-7 April 2013 Amsterdam

CinemAsia Film Festival: 6th edition New Asian Cinema April 4 to 7, 2013 - De Balie, Amsterdam More than 20 premiere films from China, Taiwan, Korea, Japan, India, and Indonesia, among others. from major Asian blockbusters to documentaries and independent productions. Opening film - European premiere LOST IN THAILAND (China, 2012) by Zheng Xu The biggest Chinese blockbuster of all time Final film - European premiere REPUBLIK TWITTER (Indonesia, 2012) by Kuntz Agus www.cinemasia.nl The 6th edition of the CinemAsia Film Festival is now approaching early. Originally a biennial festival, it now brings the wide variety of Asian cinema to the Netherlands on an annual basis. From April 4 to 7, more than 20 Asian films will premiere at De Balie in Amsterdam. In this way, CinemAsia showcases the latest in contemporary Asia, from major blockbusters to documentaries and independent productions from China, Taiwan, India, Indonesia, Japan, Korea, and more. In addition to culture and entertainment, it also provides a platform for Asian media creators. Opening film 'LOST IN THAILAND' (China, 2012) - European premiere CinemAsia opens this year with the European premiere of China's record-breaking hit 'LOST IN THAILAND'. With over 40 million visitors, the Chinese film industry, traditionally dominated by 'big-budget' historical hero stories and martial arts films, is being turned upside down. This hilarious 'The Hangover-esque' low-budget road film immediately strikes a chord with the sentiment of the emerging Chinese middle class. The story follows two ambitious rival business partners. Whoever is the first to present a revolutionary new fuel to their boss, who resides in a remote monastery in Thailand, stands to land a multi-million dollar contract. During their quest, they meet a simple pancake maker with whom they continue their adventurous journey. 'The exceptional popularity of 'Lost in Thailand' redefines the tastes of mainland film audiences and spawns reflection about material wealth'- South China Morning Post "This film talks about the struggles of the middle class and the grassroots, their happiness or sorrow", - Hollywood reporter Final film 'REPUBLIK TWITTER' (Indonesia, 2012) - European premiere In collaboration with development organization Hivos, CinemAsia concludes its film festival with the European premiere of Republik Twitter. Sukmo, the social-media-savvy student from Yagyakarta, flirts on Twitter with the stylish journalist Hanum from Jakarta. When he sees her in real life, he becomes insecure and leaves without approaching her. Later, he becomes a star on Twitter and rises as a powerful voice in political campaigns. With his new status, he approaches Hanum again. In the third largest country of Twitter users, this romantic comedy by director Kuntz Agus shows how social media in Indonesia can be used as the voice of the nation. Watch the trailers now: Lost in Thailand http://www.youtube.com/watch?v=46x1TKjY42g Republik Twitterhttp://www.youtube.com/watch?v=VrjkIR8QOHY Ticket sales via www.debalie.nl and via www.cinemasia.nl

Amsterdam, NL

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Vara

Start recording television series 'de prey'

This week the recordings will start for the three-part television series 'De Prooi', about banker Rijkman Groenink and the fall of ABN AMRO. The series is a classic tragedy and a financial thriller, written by Frank Ketelaar ('Adultery') and directed by Theu Boermans ('The Chosen One'). The lead role is played by Pierre Bokma, who previously won an Emmy Award for best actor for his role in 'The Chosen One'. Other roles are reserved for Victor Lïw as Nout Wellink, director of De Nederlandse Bank and Anniek Pheifer, as Groenink's personal assistant. The series is based on Jeroen Smit's bestseller and tells the story of the rise and fall of Rijkman Groenink, who took office in 2000 as successor to chairman of the board Jan Kalff. With his ruthless, ambitious course to get the bank into the top five of the largest international banks, he soon turns out to be playing with fire. Large acquisitions cost the bank more money and yield less than calculated. The value of the bank plummets. At that time, a series of dramatic events unfolded, in which Rijkman Groenink had to do everything in his power to prevent the sale and break-up of ABN AMRO. The perspective of Rijkman Groenink has been chosen as the point of view. 'De Prooi' is a contemporary royal drama about a topical theme and at the same time a major financial thriller. The series shows how blind ambition is Rijkman Groenink's Achilles' heel. His lack of empathy in particular is almost fatal to him (and the bank). Other roles in 'De Prooi' are played by Hubert Fermin (Jan Kalff), Paul Kooij (Wilco Jiskoot), Reinout Bussemaker (Rijnhard van Tets), Joop Keesmaat (Frits Fentener van Vlissingen), Guusje Eijbers and Mylene Duijvestein. 'De Prey' is the new series from an acclaimed team: Frank Ketelaar and Theu Boermans, makers of the Prix Europa television film 'De uitverkorene', have once again joined forces. Frank Ketelaar, who has previously proven to be able to write intriguing scenarios based on existing persons and affairs with 'Bij ons in de Jordaan', among other things, is the screenwriter of the series. Theater and film director and actor Theu Boermans is the artistic director of the National Theater in The Hague and previously directed the television series 'De Partizans'. cast: Rijkman Groenink: Pierre Bokma (The Chosen One, 't Sheep) Nout Wellink: Victor Liw (Lek, Plan C) assistant Groenink: Anniek Pheifer (Bellicher: Cel, Wijster) Jan Kalff: Hubert Fermin (Den Uyl and the Lockheed Affair) Frits Fentener van Vlissingen: Joop Keesmaat (Den Uyl and the Lockheed affair) Wilco Jiskoot: Paul Kooij (Yes Sister, No Sister) Rijnhard van Tets: Reinout Bussemaker (Line 32) Crew: Director: Theu Boermans Screenplay: Frank Ketelaar Producer: IDTV Drama Creative producer: Idse Grotenhuis Final editing VARA: Robert Kievit 'De Prooi' is a co-production of IDTV Drama and VARA and will be broadcast in the autumn of 2013. The series was created with the support of the Media Fund and the Media Programme.

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