Ilse Gregoor

Costume designer is looking for characters to dress up

What separates a good production from a great one? Is it the best camera equipment, or the biggest budget, or the most beautiful location? All these things naturally help with a beautiful film, but in my opinion the most important thing is: an artistic vision with an eye for detail. And that's where I come in. Costume may not be the first thing you think about when you start a new production, but it is certainly an important one. Because whatever story you tell, whatever genre you make, whatever your actors do, they always have clothes on. Those clothes influence the look of your film. It would be a shame if the shot in which you invested thousands of euros in manpower and equipment is ruined by a t-shirt that just doesn't look good on camera. A film is of course always a collaboration of several people, techniques and specialisms. And I think to create a really great production, all the elements have to fit together perfectly. I would love to take care of this one element, the costumes, for you. About me: I am a young costume designer of 27 years old, but I have done quite a bit in those years. I have a bachelor's degree in Theater Studies and a degree in Costumière. I have worked on several theater and film productions. Including The Theater Equation (2016), Complete (post production, 2021) and several shorts. I specialize in historical clothing and can create historically accurate costumes for multiple periods without any problems, but I also have enough experience with contemporary costumes. I am always open to new experiments and learning new techniques, and I like to create something beautiful with a small budget. Do you have a fantastic production, and are you still looking for someone to dress up your characters so that they jump off the page and become real people? Then you can reach me at [email protected] or at 0618172967.

Schiedam, NL

Offered Paid

Jan van Gorkum

Winners Southern Film Festival 2022

TILBURG – The Southern Film Festival 2022 took place for the second time this year at the Cinecitta cinema in Tilburg on May 13 and 14. The festival focuses on short films by filmmakers from Brabant, Limburg, Zeeland, and Flanders. On Saturday evening, the festival concluded with the presentation of the film awards. This year's jury consisted of actress Christanne de Bruijn and director/screenwriter Willem Bosch. Filmmakers from Flanders were the big winners this year. JURY PRIZES This year, the award for Best Film went to the film Howling by Laura Van Haecke. The film tells the story of nine-year-old Bo, who is happy that she can finally spend time with her father. However, when her father fails to show up, Bo is left to fend for herself and learns to become more independent. The Talent Award, a prize for a promising filmmaker, went to director Thomas Deknop for his film Binge Loving. An atmospheric and idiosyncratic film about a private detective from Brussels who is taken out of his comfort zone when his client interferes with his work. AUDIENCE AWARD Visitors to the festival could also vote for their favorite film. Beau Monde by director Hans Vannetelbosch was chosen as the favorite and won the Audience Award. The film is a mosaic narrative set in a top restaurant, following the kitchen staff and the guests. As the evening progresses, the viewer discovers deeper conflicts and the poignant nature of some of the characters. The true nature of this 'Beau Monde' surfaces. CINESUD SOUTHERN FILM PITCH In collaboration with CineSud, a pitch competition also took place on Friday, May 13, where filmmakers could pitch a plan for a film project to a professional jury. Director Veerle de Wilde won the competition with her film plan, Ultraviolet. She receives a production budget of €2,000 from CineSud to help realize the plan. Photo credit: © Jostijn Ligtvoet Photography

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