For camera operators who want to start an AV production company. If you already have experience with camerawork, or have already taken the ENG Camera Course, you can expand your knowledge with this course. You will learn how to create audiovisual productions from A to Z and how to start your own AV company. (We focus particularly on starters of a sole proprietorship.) You will receive instruction in Editing, Production, and Operations. We therefore assume that you already have camera work experience. If you would also like to learn camera work, we recommend taking the Camera course, which is the complete package. During this course, we work with proven teaching methods and equipment. For instance, you will learn to work with the editing program Avid Media Composer, which is currently the standard in the television industry. You will also learn how segments or programs are made, what makes a production good or less good, and how rates and rights work. But you don't just start a business: a lot goes into it. You will learn that as well during this course, so that you can start a professional business in a sound and responsible manner. This course turns you from a cameraman to an AV producer! Admission requirements: experience with camera work, an ENG camera course, or similar training. Additionally: a minimum of VMBO (or a comparable foreign diploma). If you do not meet the requirements, we can schedule an intake interview to see if you can still participate in the course. Duration: 8 weeks; 4 long days (12 half-days) Dates: All year round. Check our registration form for the schedule (select this course; you will then automatically be given a choice of various dates). Days: Wednesday (10:00-18:00 + 19:00-22:00) Number of participants: 2. Topics covered: Day 1: Introduction to nonlinear editing + basic operations in Avid Media Composer. Day 2: Practical editing exercises + audio/video adjustments and graphics. Day 3: AV production (program structure, developing program format, developing shooting schedule/script, converting into production sheets (e.g., call sheets), program budget, BUMA rights, copyright, etc.). Day 4: Starting your own business; legal structure, initial capital, business plan, accounting, Chamber of Commerce registration, VAR statement, website structure and profiling. Tuition fee: € 2,300 or in four equal installments. Additional costs: Course materials and exam fees: €150

De beste start als ENG-cameraman ! De ENG Camera cursus is bedoeld om studenten op te leiden tot betrouwbare, professionele cameramensen. Na deze opleiding is de student in staat met een professionele schoudercamera reportages op lokatie te maken (Electronic News Gathering). Er ligt veel aandacht bij compositie, belichting, camera- en videotechniek. We werken met beproefde lesmethoden. Tijdens deze opleiding wordt er gewerkt met XDCAM schoudercamera\'s. Toelatingseisen: affiniteit met camerawerk, geen ervaring vereist. minimaal vmbo- of vergelijkbaar buitenlands diploma. Goed Nederlands kunnen spreken en verstaan. Voldoe je niet aan de eisen, dan kan je een intake-gesprek met de hoofddocent plannen, waarbij we kunnen kijken of je toch de opleiding kunt volgen. Dit kun je bij ons aanmeldformulier aangeven. Duur: 4 weken; totale studiebelasting 30 dagdelen, inclusief thuisopdrachten Data: het hele jaar door (zie voor beschikbare data; aanmelden) Dagen: donderdag, vrijdag en in de laatste week zaterdag examens. Certificaat: betekent veel in de branche, omdat wij als enige (particuliere) opleider met een beoordelingsysteem werken; haal je niet voldoende punten, dan krijg je geen certificaat (totdat je herkansing doet). Met andere woorden: als je het certificaat hebt gehaald, is dat een echt bewijs van prestatie. DEZE CURSUS IS OOK IN DEELTIJD TE VOLGEN op verschillende momenten in het jaar kun je deze cursus op vrijdagavond en zaterdag volgen. Wel zijn daar extra kosten aan verbonden. Lesgeld: € 1450,- Aantal studenten: 2 per keer Bijkomende kosten: Lesmaterialen en examengeld: € 250,- euro Behandelde stof: Inhoud algemeen Wat komt er bij audiovisuele producties kijken ? waaruit bestaat een volledige ENG-ploeg? waaruit bestaat een standaard set? Welke tarieven worden er voor verschillende disciplines gehanteerd. Welke documenten worden er gebruikt bij av-producties ? Wat zijn grote spelers op de audiovisuele markt ? cameratechniek / operationele techniek de camera van lens tot accu Cameramenu\'s: operation en scene. Inregelen viewfinder (peaking/contrast/brightness) Inregelen randapparatuur (geluid/monitor) belichten (diafragma, scherptediepte werking en combinatie NDfilters / gain / shutter) Kleurtemperatuur (Kelvinwaarden; wanneer en hoe witbalanceren) lenzen: Minimal object Distance, Zoomlenzen, mattebox, servo\'s e.d. interlaced of progressive Clear Scan / Cleanscan Verschillen film en video opnameformaten: BetacamSP, DigiBeta, DV, DVCPRO25, 50 en 100, SX, HDV, XDCam, HDCAM, IMX (30 en 50) PII, enz. Tijdcode instellen (ook in multi ENG situatie), bars schrijven, zebra kiezen. opname van testsignalen aspectratio\'s draaien van statief of van de schouder het statief het draaien van een interview camerabeweging en -toepassing Snel een shot kunnen uitwerken. Audio verschillende soorten microfoons en de toepassing daarvan het gebruik van zendermicrofoons Wegwerken van laveliermicrofoons 2- of meersporen audio-shooting Het gebruik maken van line-mogelijkheden Operationeel beeldcompositie shotformaten, camerabeweging en beeldinhoud découpage parallelmontage beeldovergangen Beeldassen/objectassen Spiegelen van interviewkandidaten Setnoise Itemopbouw; verschillende type shots (establishing, snijshots e.d.) Belichting werken onder verschillende lichtomstandigheden eigenschappen van licht: sterkte, hardheid, kleurmenging, verzadiging contrastomvang kleurtemperatuur gebruik van spotlights / softboxen / indirect licht / natuurlicht gebruik van filters (spun/frost/kleur) en reflectiemateriaal het principe van 3- en 4-punts belichting Belichten met een cameralamp

I have been active as a parachutist for 6 years, working both in the Netherlands and around the world. Since I also completed a theater education and work as an actress, I can be deployed for stunts myself, but I also have an extensive international network within sport parachuting. With knowledge of both fields, I can help anyone find the right skydiver for any possible TV/film job, whether performers or camera operators.

Hello filmmakers from the Netherlands, I'm Yorel Cairo, an aspiring and very talented actor. I obtained my Method Acting certificate from Joost Buitenweg, known from GTST, among others. This way of acting also fits in with my starting point in acting. Become your character! With a very positive review from Joost Buitenweg, I am now working my way up as an actor. A production is currently in the early stages of production that I will be performing together with Actor/Director Winston Roderiquez (Bradaz and Costa, among others). Together with him we play the leading roles. Recording days for the pilot are under negotiation. I'm looking for more film/TV roles in every category! The more removed it is from me personally, the greater the challenge is to become the character. Who wants to "discover" me and make very good film / TV productions!

Hello everyone, I am Laila, I am 21 years old, and I recently moved to Amsterdam. I know that there are many productions in Amsterdam, so I think it would be really fun to participate in one of them! I have already done a number of assignments for TV and I really enjoyed it! Do you perhaps have a nice assignment for me then? Then just let me know :) PS: I am also still looking for a nice full-time job in Amsterdam!! Kind regards, Laila

Press release October 2, 2008 Cultural sector builds bridges for young and diverse talent during Diversity of Talents On Monday, October 27, the expert meeting Diversity of Talents: NoLabel will take place in Utrecht. During this meeting, representatives of established arts institutions and young talents with diverse cultural backgrounds will discuss how talent development and cultural diversity can be given a prominent place in the cultural field. This should lead to bridges that enable young talents to better access the cultural sector. Platform The day focuses on three topics: knowledge sharing and development, creating a future vision, and forging partnerships. The ultimate goal is to establish a platform that continuously focuses on the development of young talent with a diverse cultural background within the professional arts sector. Talent development Various national and international guests will share their vision on or experiences with talent development during the expert meeting. Among those who will shed light on the subject are George Lawson (Dutch Performing Arts Fund+), Gitta Luiten (Mondriaan Foundation), Zafer Yurdakul (Podium Mozaïek), and Marjorie Boston (multicultural production house MC). Additionally, Ola Animashawun from the renowned Young Writers' Programme at the Royal Court Theatre in London will connect theory to practice through masterclasses. The day will be moderated by Babette Niemel (VPRO) and Janneke Mushonga (MOSA). To register The expert meeting is open to anyone involved in talent development in their work or interested in it. Participation is free; registration is open until Wednesday, October 22, via www.diversityoftalents.com. The full program is also available on this site. Organizers Diversity of Talents: NoLabel is organized by the Centre for Intercultural Studies (part of the Utrecht University of the Arts) in collaboration with Mira Media and is supported by the Peace of Utrecht, the Walter Maas House, Stichting Doen, the Municipality of Utrecht, Roots & Routes, and the Ministry of Education, Culture and Science.